![]() ![]() His motivation seems to revolve around boredom – he supports doing whatever is different than before with no care for the consequences. He’s completely unfeeling except for irritation and considers himself above the other Voices for being emotionless. Represents The Long Quiet’s most true self. He’s hesitant to outright slay the Princess, preferring to opt in for being reasonably cautious, but is unnerved by the strangeness that arises and tries to get The Long Quiet out alive. ![]() Hero: Always most in line with The Long Quiet’s current thoughts.It’s unknown if they can come back once they leave the two behind, but Hero and Contrarian did come back once before they opted to leave again. If The Hero leaves with The Princess, they all presumably continue to exist somewhere. The Voices get either lost in The Long Quiet or absorbed into The Shifting Mound unless The Hero slays The Princess, at which point they reappear with him. They are a part of The Long Quiet, but they’re also their own persons. The Voices seem to follow the same logic as The Princesses do to The Shifting Mound. Interestingly enough, Voices can leave if they choose. This is shown by The Broken being the reason The Long Quiet has trouble resisting The Tower. Even if they can’t, their mere presence influences The Long Quiet’s strength. While not as strong as The Echo, Voices are still capable of overpowering The Long Quiet in certain instances and making decisions. Yet it’s undeniable The Voices are The Long Quiet’s thoughts, as they’re called as such, and emptying your mind in The Razor gets rid of everyone, including The Echo. Her current form is “full of you” as she describes it, and in need of “something like her” to become complete. By doing so, you’ll mold The Princess into more versions through your actions and perception of her, and she will become whole through claiming the vessels. Then she asks you to bring her more perspectives by going through the loop again and again. She exists in this space beyond the reality you find yourself in. She explains herself to be an entity that is part of the Princess, connected to her, but not exactly The Princess herself. You then meet who is later called The Shifting Mound by The Narrator. This time, you can finally look into it and see yourself, and what you see does not exactly appear to be a bird-like creature like the rest of your visible body suggests. Whatever version of The Princess you’re dealing with is taken away by other-worldly hands, and you’re left alone in a quiet, empty void, with the mirror staring at you. Whether in Chapter Two or Three, you’ll come to a point where the world itself falls away to nothing.
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